Inspired by Van Gogh’s 1889 masterpieces ‘Irises’, and ‘Trees in the Garden of Saint-Paul’ this painting brings his iconic blooms to life within the setting of Glasgow’s Templeton on the Green. Originally opened in 1892 as the Templeton Carpet Factory, this striking structure—resembling a Venetian palace—is an architectural gem steeped in history. It seemed a perfecto location to frame the Irises.

With an adaptation of the colours and backdrop of the Saint-Paul Asylum, a location painted on numerous by Van Gogh. The vibrant irises in the foreground blend with the brickwork of Templeton, creating a harmonious fusion of natural beauty and industrial innovation.

Inspired by Van Gogh's "The Church in Auvers-sur-Oise" (1890), this painting reimagines the Transport Museum with his signature violet hues and cobalt sky.

Mirroring the shapes and structures of the museum, I blend old architectural elements with the new, capturing the vibrant essence and emotive brushstrokes of Van Gogh in a contemporary setting.

Inspired by Van Gogh's mesmerizing "Café Terrace at Night" (1888), this painting captures the enchanting atmosphere of the Gallery of Modern Art in Glasgow. With vibrant blues and yellows, I evoke the same sense of warmth and inviting ambiance that Van Gogh masterfully created.

The striking contrast between the illuminated GOMA building and the darkened street draws viewers into the scene, filling them with intrigue and nostalgia. This post-impressionist style resonates deeply, offering a profound connection to both Van Gogh's vision and the contemporary setting.

The tables and chairs, subtly placed in the background, guide the eye towards the monumental structures, emphasising the timeless interplay between old and new.

In this expressive piece, "Rhythms of the Clyde," I pay homage to Glasgow's lifeline, the River Clyde. Reflecting on the dramatic transformation from its industrial past to its current state adorned with museums, walkways, and vibrant commerce, I draw a parallel to Van Gogh’s "Starry Night over the Rhone."

Executed in the same city and month as his "Café Terrace at Night," Van Gogh’s masterpiece captures the allure and significance of the Rhone at night. Similarly, the Clyde, a vital artery for Glasgow’s growth, serves as my muse.

I have depicted the river’s serene beauty and the bustling energy of the city it nurtures, mirroring the old with the new. This painting embodies the profound connection between Glasgow and its river, celebrating the essence of "Glas Gogh."

"Starry Night" (1889), a masterpiece by Vincent van Gogh, serves as the cornerstone of my GlasGogh collection. Widely regarded as one of Van Gogh's most influential works, he created it during his time at the Saint-Paul-de-Mausole asylum in Saint-Rémy-de-Provence, France.

My journey began with an attempt to capture the essence of Glasgow's West End, which led to numerous renditions of the sky. A visit to the Van Gogh exhibition in Glasgow ignited my inspiration, prompting me to adopt his iconic style for this piece. The swirling, dream-like patterns of the night sky, mirrored in my depiction, seamlessly blend with the landscape of Glasgow University and the surrounding area, creating a bridge between the past and present.

This painting not only celebrates Van Gogh's genius but also weaves in the vibrant spirit of my beloved city.

Inspired by Vincent Van Gogh’s "The Yellow House," which once stood as the right wing of 2 Place Lamartine in Arles, France, my painting draws a parallel with Glasgow’s oldest house, The Provand’s Lordship. Built in 1471, this historic building sits in the heart of the city's ancient quarter.

By echoing Van Gogh's iconic yellow and blue tones, I capture the essence of this timeless legacy. The recently restored facade of The Provand’s Lordship shines anew on High Street, while the Royal Infirmary subtly peeks into the frame from the right. This juxtaposition of the old with the old, yet revitalised, not only pays homage to Van Gogh’s masterpiece but also celebrates Glasgow’s rich architectural history.

Inspired by Van Gogh’s portrayal of the Restaurant de la Sirene in the Asnieres district of Paris, this painting brings to life the vibrant essence of the Barrowland Ballroom and its surrounding area in Glasgow.

As an iconic entertainment and music venue since 1926, The Barras pulsates with the same energy and liveliness captured by Van Gogh. My depiction draws from the colourful food and drink venues, the bustling crowd, and the historical charm that mirrors the famous Parisian restaurant.

The interplay of bright hues and dynamic figures creates a lively scene that celebrates the rich cultural tapestry of Glasgow’s East End, seamlessly blending past and present in a dance of colour and form.

The Night Café (1888) is a striking painting by Vincent van Gogh that depicts the interior of a café in Arles, France.

Through his use of bold colours and dramatic brushwork, Van Gogh creates an intense and atmospheric scene. The vibrant reds and greens heighten the sense of unease and energy within the space. There are many bars in Glasgow that could have been matched with the Night Café. I wanted to bring in a flavour of Glasgow to the picture, so decided to introduce Vincent to Billy Connolly. A conversation that I would love to hear. Billy and Vincent are two of the most creative people I could introduce.

I also wanted to dress Billy in appropriate attire – and what could be more fitting than the uniform and approach of Joseph Roulin. A postal employee and friend of Van Gogh. He wears it well!